Thursday, 15 October 2009
The telly is supposed to entertain, not infuriate. However, while watching the latest reality show entrant Pati, Patni Aur Woh I was filled with negative emotions. It’s a show that ignores basic ethics and propagates tacky concepts, blatantly abusing our sensibilities on the pretext of entertaining audiences.
While the US churned out reality shows by the dozen, India made a slow move. Only when B-town’s glamour doll Shilpa Shetty returned home a winner from the UK’s Big Brother did the Indian TV channels wake up to the idea of milking such concepts. Immediately production houses worked overtime, rehashing international reality shows. From American Idol to Who Wants To Be A Millionaire, we’ve seen it all tweaked to Indian tastes. And the latest to join the bandwagon is Pati Patni Aur Woh. Based on BBC’s Baby Borrowers, it has courted more controversy than fame because watching an infant being jostled around by a bunch of inconsequential TV actors is not amusing at all.
Instead of celebrity couples, the original show tracked teenage couples in a bid to teach them the nuances of parenthood. So I cannot comprehend why the channel traded the basic concept with immature telly actors; surely this is beyond reason. Is the channel trying to propagate the idea that couples should refrain from having babies? Also, the original format included a nanny who monitored the children. But the desi version went a step further and planted real parents next door. Watching those helpless teary-eyed moms watching their babies howling on screen is disheartening.
Barring one couple – Rakhi Sawant and Elesh, who dubiously hooked up on another reality show on the same channel, the rest of the faces aren’t remotely famous. Forget parenthood, these fancy non-entities can’t even brew a cup of tea without making it seem like a herculean task. It’s dreadful to watch them cribbing and whining about every-day chores.
I recall empathising with Jim Carrey’s character in Peter Weir’s The Truman Show, where he objects to being made a scapegoat for telly viewers. Out here, the sympathy lies with the viewer, instead, for being subjected to such sub-standard shows. Guess it’s time to switch off and read a book!
After tricking its viewers into believing that B-town’s item girl Rakhi Sawant would tie the knot on reality show Rakhi Ki Swayamvar NDTV Imagine is back to squeeze out more from their drama queen in Pati Patni Aur Woh. The show sees five celebrity couples – Debina Bonnerjee and Gurmeet Choudhary, Rakhi and Elesh, Juhi and Sachin Shroff, Gaurav Chopra and Mouni Roy, and Shilpa and Apoorva Agnihotri – tackling parenthood challenges under the constant glare of the cameras. The show, shot over 30 days, will be divided into five stages, namely pregnancy, infants, toddlers, teenagers and the elderly. There are no winners or eliminations in this game.
(Published in e+, Gulf News, Oct 15, 2009)
This place has perfected the art of noodle treats. The Noodle House tempts us with irresistible dishes of the noodle kind. So when the popular joint cooked up a new menu, we couldn’t resist a visit to slurp up what was on offer.
Getting a table at The Noodle House is a nightmare, almost always, but on this particular Friday afternoon we were lucky. After being seated at a table overlooking BurJuman Centre’s water landscape, we immediately got to business. A menu sheet was torn out and our preferences ticked.
We decided to play and pick a thing from both the old and new menus. For entrées it was the Beef Ruby dumplings that caught our attention from the new edition, and the Crispy Duck Wontons were the old favourite we went for. The dough pouches filled with lightly spiced beef balls were extraordinary. The assortment of spicy sauces helped accentuate the taste further. The wontons were crispy, just as we had remembered, they were flavoured minced duck treats fried to perfection.
Then we chose the Wok Fried Honey and Sesame Chicken and the Yakisoba and Vermicelli Noodles with chicken and seafood. The crispy chicken garnished with twirls of orange peel was impressive, but it was the noodles that made an impact on our tastebuds. The magic soy sauce base, which our waitress explained was a special kind from Singapore, blended the thick and thin noodles intensely.
A few minutes after we were done relishing our spread, we shifted our focus to the desserts. OK, we cheated here, skipping the new sweet treats for old favourites – the Crispy Fried Bananas and the Mango Pudding. The batter-fried banana slices were at their crunchy best and the pudding was simply delicious. Our only regret was our inability to finish the pudding due to a lack of tummy space!
If it’s a noodle treat you’re after, then this is your place.
(Published in e+, Gulf News, Oct 15, 2009)
This action thriller lacks real punch, hence it failed Sneha May Francis acid test.
(Published in e+, Gulf News, Oct 15, 2009)
Pentane, a gas that temporarily wipes out memory, intrigued film-maker Suparn Verma so much so that it prompted him to make a film about it. However, the idea, a rip-off from Colombian flick Unknown, didn’t actually translate into a good film. Instead, the attempt turned out to be so torturous that after watching the movie I wished to lay my hands on the gas, inhale it and erase Acid Factory from my memory!
Verma lacks maturity as a story teller. His obssession with car chases, inability to break away from Bollywood cliches and poor character sketches leaves us with a lame thriller. In an attempt to be clever, Verma pushes in twists around the plot, making the ordeal more painful for the viewer. In fact, the entire premise that locks up six characters in an acid factory, makes it a little hard to believe.
Despite being a rip-off, writer Milind Gadagkar didn’t tweak it enough to give it an edge over the original. Dialogues by Saurabh Shukla border on the inane, with "I’ll kill you" shouted randomly by almost all characters at various points in the film. The screenplay by Verma, who earlier reviewed films for online portal rediff.com, and film-maker Sanjay Gupta, known for his Hollywood re-hashes like Kaante and Musafir, leaves a lot to be desired. The only point Verma scored was for chopping the film to two hours!
With so much going on with the script, it was Bajpai’s killer act that made the journey a tad tolerable. Despite being a badly-etched character, he magically pulls it through, even evoking some genuine laughs. But even his tiny role can’t save the film. The casting clearly divides the talented lot of Bajpai, Irrfan Khan and Denzongpa, from the wannabes like Dia Mirza, Khan, Dino Morea and Aftab Shivadasani. Looks like the younger team concentrated more on their looks than their acting skills.
It’s time our film-makers learnt that there’s more to making intelligent action thrillers than merely copying a script.
Imperfections and a lack of insight into his own weaknesses are what make us instantly connect with the affable, pizza-loving Sid. Ayan spins an incredibly fun tale around Siddarth Mehra, a spoilt brat loaded with cool gadgets and cooler t-shirts, who makes no qualms about living off his rich dad’s money. He lives life without worrying about its consequences, and it is his soul-searching journey that we witness in Wake Up Sid. This coming-of-age story is no Dil Chahta Hai, but he pays tribute to Farhan Akhtar’s cult film, with Sid mouthing some legendary dialogue from it. This ability to show realism without being pretentious is what works for Ayan throughout the film.
Ranbir Kapoor gives droopy-eyed Sid a charming twist, and Konkona Sen Sharma brings a mature take to Aisha, Sid’s highly motivated friend. Sharma is a natural, and it’s commendable to watch Kapoor effortlessly match her at every level. Good genes are nothing to ridicule!
A strong supporting cast pulls the film forward. Anupam Kher plays Sid’s dad – who runs a blooming business selling showers – to controlled perfection. Apart from evoking a few giggles, Supriya Pathak’s efforts to learn English to befriend her son are genuinely poignant. Newcomers Namit Das and Shikha Talsania make us realise how friends made college so much more fun. And Rahul Khanna’s charismatic yet tiny role makes for good eye-candy!
Niranjan Iyengar pens some interestingly funny dialogue and Anil Mehta’s cinematography paints Mumbai in vibrant shades.
The film lacks a meaty ending and needs tighter editing, but like its protagonist, we are so floored by its soul that minor downfalls are forgiven.
(Published in e+, Gulf News, Oct 8, 2009)